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Francois Truffaut's "The Bride Wore Ebony" is supposed, he informs us, as homage to Alfred Hitchcock. As homage, it succeeds. As Hitchcock, it generally does not quite. Exactly what a relief.

Truffaut is a master in the very very own right. Their most useful movies ("Jules and Jim," "The 400 Blows") have now been individual. Their weakest people, like "Fahrenheit 451," failed because he tried too consciously to operate within the idiom of Hollywood. In "The Bride Wore Ebony," he achieves exactly exactly what he was targeting in "Fahrenheit": a married relationship associated with the French brand new revolution and Hollywood tradition.

The brand new generation of French filmmakers has argued for the number of years that we Us americans have not honored our most useful directors. We applauded Cecil B. DeMille's vulgarity and Stanley Kramer's phony liberalism, but ignored the actual Hollywood masters of action and suspense: John Ford, Howard Hawks, Don Siegel, Hitchcock. Whenever Jean-Luc Godard made "Breathless" (1960), he devoted their very first movie to Monogram photos, the Allied Artists subsidiary that specialized in B action films and Charlie Chan. (więcej…)